by Yukako Ikezoe
Having read Terry Kawashima’s piece, “Seeing Faces, Making Races: Challenging Visual tropes of Racial Differences”, I also started wondering why the eyes of characters in Japanese manga are big, even though I had never strongly questioned that before. Readers from Western countries might have wondered about the looks of characters in Manga because the characters’ features are similar to the features Caucasians have, including round eyes or blond hair.
Thinking about the real purpose of this kind of trend from the perspective of Japanese myself, I would say that is not because Japanese strongly desire to get big eyes like Caucasians, but rather because big eyes are one of the most important techniques to express characters’…
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I go back and forth on how I wish sentences to be worded, but the second I choose one way I decide I want to go back or a few days later I think I want to change it back. If I’m lucky to make that choice a second later, I can hit the undo button but if it is a few days later (as is often the case with me) I can’t quite remember how it was previously worded before and the undo button is useless.
Now the easiest way to do this would probably be to use the strike-through feature in Word or Google docs (the two I use, but whichever platform you use probably has one as well), but seeing the word(s) there bug me. They distract me when I’m reading through it and makes a few minutes of reading into a longer period of time. I have taken a leaf out of the FBI’s playbook and highlight the non-used words in black.
Here, I have left the redacted words because this story is obviously still in it’s first draft and still deciding if I want to reword the sentences or not.
This method also helps when I work through my notes or “outline” like I mentioned in Different Outlines.
In school you probably learned an outline structure similar to this one:
But that’s not the only way to outline. Unless this method works for you, it doesn’t need to be that structured or you can use other templates that are the same just different starting letters and numbers.
Personally, I am not as structured in my outlines as above. That just happened because I copied those rules from a webpage (https://en.japantravel.com/guide/shrine-temple-etiquette/20924 ) as a quick reference. Most of the time my outline just looks like this:
Each line starting with a capital letter is a different thought. It is just a rough sketch of what I want/need to happen in that chapter without being fleshed out. These quick notes are faster to write so I don’t forget anything. I also don’t have to worry about if I’m putting things in the right level of the outline structure or agonize over where it needs to go if it can fit into two or more categories.
Then it’s right below the words I’m typing and can see where I am headed with the story and the notes change into an actual story. The words above have been fleshed out from other notes, and those below are still needing to be applied.
Then because I am very forgetful, instead of deleting the notes I’ve used I highlight them in black and move them to the end of the chapter’s notes. So if I need to go back and look at them, they are still there.
This is just a trick that helps my writing process go smoother than keeping thousands of notebooks stashed all over the house (admittedly still have those too) and keeps my thoughts better organized than I have been able to do with pen and paper (probably because I use pen and hate pencils with a passion). You can use any color you want, I just chose yellow for notes and black for redacted because I use other colors for other color coding that I tend to do to help remember different characters.
4 out of 5 Stars
Good but too short. I think part one and two could be out together to make it longer and better.